Libraries sound like libraries.
Stock tracks are quick to license and easy to spot. Your audience hears the difference.
Boutique sync licensing · New York City
Fine Gold Music finds the right song for film, TV, ads, trailers and games from 50,000 titles across more than 70 independent labels. Over 40,000 are one stops, so a single deal clears master and publishing.
On call around the clock for fast turnarounds
The problem
Stock tracks are quick to license and easy to spot. Your audience hears the difference.
A master owner and a publisher means two quotes, two approvals and two chances to stall.
Tags say upbeat. You need to know where the vocal comes in and when the chorus hits.
Most searches start with a playlist, a library login and a long email thread. It works until the edit locks and the song everyone loves will not clear.
How it works
Scene, mood, references, budget and deadline, in any format.
Working musicians search 50,000 titles by hand and send a short list of real records, with instrumentals and timings.
One stops clear master and publishing in a single deal. We keep the paperwork moving so you can keep cutting.
On call around the clock for quick turnarounds.
Send us a briefListened, not just tagged
Our team are working musicians and DJs. We listen to everything we represent and tag it by hand: vocal type, instrumentation, where the vocal comes in and where the chorus hits.
A short list you can drop straight into the cut.
One stop clearance
More than 40,000 of our titles are one stops, where we control both master and publishing. One deal, one approval, no waiting on a second rights holder. Look for the stop sign in the artwork in our DISCO catalogue.
We are not a music library, but we always make room for smaller budgets.
Master and publishing controlled in one place, so a single license covers the whole song.
The catalogue
Vintage soul and funk, golden era hip hop, global grooves and new independent artists from more than 70 labels, including Westbound, Bridgeport, Ace, Luaka Bop, Honest Jons and Fierce Panda. Over 4,000 Billboard charting hits sit next to deep cuts no library has.
From Funkadelic to Fierce Panda, in one search.
Placements
Over 600 placements across television, film, advertising, trailers and games. A few recent ones.










placements and counting, from prestige TV to Super Bowl spots.
Tell us the scene and we will find the record.
Services
Everything a music team needs, from a single song to an original track.
Real records for ads, film, TV, network and cable trailers, video games, VR and podcasts, worldwide.
Our core serviceSend a brief in any format and get a hand picked short list with instrumentals and timings.
Start hereMusic supervision and A&R for documentaries, indie films, ad campaigns and albums.
Project basedIn house Billboard charting producers and established bands write to picture. Guest hip hop features too.
Written to pictureAuthentic hip hop beats from platinum producers: trap, West Coast, boom bap, reggaeton and more.
One stop · precleared · sample freeOriginals and covers from talented musicians and songwriters around the world.
Originals and coversSamplers
Themed playlists built for music supervisors: eras, genres, holidays and label spotlights. More than 180 so far, plus 80 Hey! You Gotta Hear This! single spotlights.
Want the next one first? Join the sampler list and get each new playlist the day it goes out.
Roster
Anderson .Paak / Eminem / Funkadelic and Parliament / Pharoah Sanders / Ohio Players / William Onyeabor / Ennio Morricone / Sleigh Bells / Icona Pop / Scissor Sisters / Tim McGraw / LeAnn Rimes / Lyle Lovett / Doris Day / Kay Starr / The Clark Sisters / Tag Team / Kid ’n Play / Main Source / UTFO / Sixpence None The Richer / Bush Tetras / Martin Rev / Drop Nineteens / Water From Your Eyes / Detroit Emeralds / Fatback Band / Loren Allred / Princess Superstar / Showtek
The team
We play shows, go to shows and listen to everything we represent. A small team in New York with a personal relationship with every label and artist.
Before Fine Gold, Jonathan was an A&R executive at Island Records, Q/Atlantic and Robbins/BMG, working with Snoop Dogg, Fat Joe, Wyclef Jean and Pitbull. He manages Grammy winning producer Lenky, the man behind Sean Paul’s number one hit “Get Busy”.
A New York hip hop DJ since 1985, he spun as P Fine on WNYU and in clubs like The World and Palladium. Today he teaches music business at NYU’s Clive Davis Institute and Marymount Manhattan College.

Executive Licensing Consultant
First concertThe Rembrandts, around 1994

Director of Licensing
First concertHardly Strictly Bluegrass, 2009

Music Licensing Assistant
First concertRed Hot Chili Peppers, 2008

Music Coordinator
First concertSelena Gomez, 2013
For artists and labels
We pitch independent artists, labels and publishers to music supervisors for TV, film, ads, trailers and games.
You approve every deal. We never sync without your permission.
Exclusive or nonexclusive. Every deal is structured around your music.
Always mix an instrumental. A great mix is enough to start. The official master can wait for the deal.
We are on call around the clock for quick turnarounds. Put the deadline in your brief and we will work to it.
A song where we control both the master recording and the publishing. One deal clears everything, so there is no second rights holder to chase. Look for the stop sign in the artwork in our DISCO catalogue.
Yes. We are not a music library, but we are always happy to work with smaller budgets. Share the number up front and we will search inside it.
Yes. Our in house Billboard charting producers and established bands write to picture, and we can arrange guest hip hop features.
Never. As soon as a supervisor is interested we get in touch, and you approve every deal. Sync moves fast, so be ready to sign off quickly and send mastered WAV files.
It depends on the medium. Advertising usually pays within 60 days, TV can take up to six months, and films usually pay within 45 days of release.
Nobody can. We cannot make a supervisor choose a song, but we make sure they have it, listen to it and consider it.
Send a brief
Share the project, the budget and the deadline. A musician on the team will come back with a short list.
Prefer email? licensing@finegoldmusic.com